A weblog forum for announcements of writing projects, events, contests and sundry other items for members of West Virginia Writers, Inc. and anyone else who finds them of use.

Saturday, June 14, 2014

WV Writers Annual Writing Contest Winners List 2014

The winners of the 2014 West Virginia Writers Annual Writing Contest were announced during our Annual Awards Banquet at the WVW Summer Conference, June 14. 

You can now download the 2014 WINNERS LIST

Keep in mind this is the preliminary winners list and does not yet include the winners of the Writers Wall and People's Choice contests from the conference itself.  Check back mid-week for those.

Thanks to everyone who entered the contest this year. It was a pleasure to have served as contest coordinator.

--eric fritzius

Friday, June 13, 2014

WV Writers 2014 Conference is ON!

The WV Writers 2014 Summer Conference is THIS WEEKEND, June 13-15, 2014, at Cedar Lakes Conference Center in Ripley, W.Va. 

Walk-in attendees are welcome!  You can find out information about the conference, including workshop descriptions and presenter bios. 

Monday, June 02, 2014

WV Writers Conference Schedule

The following is the current schedule for the WV Writers Summer Conference
 
Friday, June 13, 2014
 
2:00-3:00 p.m.
 
1)     Renee Nicholson - Break Dance: Discovery How Line Break Works (or Doesn’t) in Your Poems –
2)     Rhonda Browning White – Short Stories: She May be Little, but She’s Tough;
3)     Marilyn Shank – Kids, Tweens, and Teens: Developmental Stages;
4)     Michael Knost – Flashbacks and Backstory;
5)     Kambri Crews – Publicity & Marketing: Sell Yourself .
 
  
3:15-4:45 p.m. (90 minute session)
 
1)     Kirk Judd – Journey to the Center of Your Mind;
2)     Laura Bentley – Writing Your First Novel: The Journey of a Hybrid Writer;
3)     Danny Boyd – Building Blocks (of good stories for screen and graphic novels);
4)     Sam Holdren – Screenwriting;
5)     Andrew Wheeler – False Memories/Confessions Created by Erroneous Forensic Analysis (60 min)
 
  
6:00-7:00 p.m.
 
1)     People’s Choice – Prose competition;
2)     Dave McCormick – Songwriting;
3)     Belinda Anderson – The Wounded Hero and Other Archetypes: Writing Middle-Grade Characters with Depth;
4)     Joey Madia – Selecting and Reading Your Work;
5)     Sandy Tritt – Writing the Story Only You Can Tell (Memoir)
 
 
 
7:15-8:15 p.m.
 
1)     People’s Choice - Poetry competition;
2)     Pam Hanson – Writing for the Inspirational Market;
3)     Dave McCormick – Creative Writing Basics;
4)     Natalie Sypolt – Whose Story is it?: Exploring Perspective and Narrative Distance in Fiction;
5)     Author Readings: Laura Treacy Bentley, Daleen Berry, Geoff Fuller
 
 
 
8:30 p.m.
 
Entertainment – Kambri Crews; The Fearless Fools
Bonfire (weather permitting)
 
 
Saturday, June 14, 2014 
 
8:30-9:30 a.m.
 
1)   Maggie Anderson – Writing Groups of Related Poems
2)    Natalie Sypolt – It’s Not Your Grandpa’s Mountain Story: What is Today’s Appalachian Literature?
3)    Belinda Anderson – Manuscript Checklist
4)    Patricia Wiles – Awaken the Child Within
5)    Naomi Sloan – Memoir and Imagination: Creative Non-fiction from Blog Posts to Personal Essays
 
 
 
9:45-10:45 a.m.
 
1)     People’s Choice – Prose competition;
2)     Maggie Anderson – Gathering the Storm: Putting Together a Poetry Manuscript;
3)     David and Naomi Sloan – How to Write with a Significant Other (and Survive);
4)     Sandy Tritt – Pass the Tissues;
5)     Rhonda Browning White – Beginnings and Endings: Hit ‘Em Coming and Going;
 
 
 
11:00-12:00 noon
 
1)     People’s Choice – Poetry competition;
2)     Pam Hanson – How to Write a Romance Novel
3)     Joey Madia – The Art of the Knights and Dragons Style Fantasy Genre
4)     Marilyn Shank – Coping with Grief and Trauma: It’s Not the Same for Children and Adolescents
5)     Kambri Crews - Publicity & Marketing: Sell Yourself (Repeat)
6)     People’s Choice – Youth competition
 
 
 
1:15-2:45 p.m. (90 minute session)
 
1)     Laura Treacy Bentley – Writing Your First Novel: The Journey of a Hybrid Writer (Repeat)
2)     Steve Goff – Improv Your Creativity, Improv Your Writing
3)     David Sloan –How to Deal with Complexity in Plots
4)     Andrew Wheeler – Crime Scene Reconstruction and the Investigative Process
5)     Kambri Crews – Non-Fiction Book Proposal (60 min)
 
 
 
3:00-4:00 p.m.
 
1)     Renee Nicholson – From Your Page to Their Page: Publishing Your Poems
2)     Daleen Berry & Geoff Fuller – Panel Discussion: Their book The Savage Murder of Skylar Neese: The Truth Behind the Headlines
3)     Mountain State Press Reception: New publications by Belinda Anderson & Kirk Judd
4)     Patricia Wiles – Children’s Writer’s Journey
5)     Rhonda Browning White – Cut It, Cut It, Cut It! Self-Editing for Writers
 
 
 
4:10-5:00 p.m.
Authors reading/signing - various presenters
Natalie Sypolt – Learn to do book reviews (tentative)
 
 
 
6:15 p.m.
Banquet with keynote speaker, Marilyn Shank, winner of the 2013 Christy Award
Presentation of contest awards
 
 
 
8:30 p.m.
 
Entertainment by:
Maggie Anderson and Renee Nicholson, poetry presentations
Music by singer/songwriter Dave McCormick
Bonfire (weather permitting)
 
  
 
 Sunday, June 15, 2014
 
9:00-10:00 a.m.
 
1)     Andrew Wheeler – Trial Review: A WV Murder Trial in Review
2)     Belinda Anderson – The Wounded Hero and Other Archetypes: Writing Middle-Grade Characters with Depth (Repeat)
3)     Podcasting Panel with Natalie Sypolt, Renee Nicholson, Eric Fritizus
4)     Michael Knost – Outlining Your Novel
 
 
 
10:15-11:15 a.m.
 
1)     Kirk Judd – Spoken Word Spoken Here
2)     Sam Holdren – Advanced Screenwriting
3)     Danny Boyd – Graphic Novels
4)     Joey Madia – Creating Strong Character to Tell Your Story (a subset of his broader workshops on playwriting)
 
 
 
11:30-11:50 a.m.
 
Farewell, drawings, conference feedback
 
1:15 – Board Meeting – All members welcome!
 
 

Friday, May 23, 2014

Conference pre-registration

From WVW Region 7 Representative Sherrell Wigal:

I just completed my Annual Conference registration to mail tomorrow.  I’m excited about conference this year.  What a great line-up of workshop leaders this year! Thank you President, Teresa Newsome for another great job with Conference.
     A week or so ago I stopped by Cedar Lakes and spoke with Gary Anderson (Coordinator of Conference Services) – Gary advised me that they have a new dining hall crew and are getting excellent comments about the food (yippee!) this year.  He also said they don’t have many room left for Conference.
     Gary and I also talked about the future of Cedar Lakes Conference Center and the staff is quite excited about the change of from a State agency to the Foundation.  This will allow for fewer restrictions for their facility and will open them up to apply for possible grants to allow them to make various improvements to the facility.
     Everyone get you pre-registration in ASAP.  This will help WVW in giving the staff at Cedar Lakes some idea of meal counts, etc., and with the preparation of the “goodie bags” for conference.   Also if you pre-register your name tag will be printed name (and you won’t have to hand-write your name).  Hope to see everyone there this year!

--Sherrell

Thursday, May 15, 2014

Meet the Author: Stephanie Kadel Taras

Main Library: Wednesday, May 14 at 6 p.m.; John V. Ray Room

Clendenin Branch Library: Thursday, May 15 at 6 p.m.

Riverside Branch Library: Thursday, May 15 at 10 a.m.

Stephanie Kadel Taras grew up in West Virginia and now lives in Ann Arbor, Michigan. When she started writing people’s life stories through her thirteen-year-old company, TimePieces Personal Biographies, she began to question her own identity as a West Virginian who moved away but still longs for home.  In this thoughtful mix of memoir and social history, Stephanie explores the history and culture of her home state and the choices women make in today’s mobile society. Weaving back and forth seamlessly between past and present, Mountain Girls features the lifelong friendship of two girls from Elkins, whose resilience, humor, and creativity shape unexpected lives. Mountain Girls won a 2012 book award from West Virginia Writers, Inc., while the book was still in production. A book signing will follow her presentation.

Adults and teens

Thursday, May 01, 2014

Meet the Author: Stephanie Kadel Taras

Main Library: Wednesday, May 14 at 6 p.m.; John V. Ray Room

Clendenin Branch Library: Thursday, May 15 at 6 p.m.

Riverside Branch Library: Thursday, May 15 at 10 a.m.

Stephanie Kadel Taras grew up in West Virginia and now lives in Ann Arbor, Michigan. When she started writing people’s life stories through her thirteen-year-old company, TimePieces Personal Biographies, she began to question her own identity as a West Virginian who moved away but still longs for home.  In this thoughtful mix of memoir and social history, Stephanie explores the history and culture of her home state and the choices women make in today’s mobile society. Weaving back and forth seamlessly between past and present, Mountain Girls features the lifelong friendship of two girls from Elkins, whose resilience, humor, and creativity shape unexpected lives. Mountain Girls won a 2012 book award from West Virginia Writers, Inc., while the book was still in production. A book signing will follow her presentation.

Adults and teens

Friday, April 25, 2014

WV Writers 2014 Conference Presenter Bios

(UPDATED 5/30/14)

Belinda Anderson’s enthusiasm for encouraging other writers is evident in her status as a Master Artist with the West Virginia Division of Culture and History, mentoring emerging writers through a matching grant program. She’s also a past recipient of the West Virginia Writers’ J.U.G. award, for mentoring and promoting the written word in West Virginia.  Belinda is the author of four books, published by the nonprofit Mountain State Press, based at the University of Charleston. Her first three books are short story collections: The Well Ain't Dry Yet, The Bingo Cheaters and Buckle Up, Buttercup. Her most recent book, Jackson Vs. Witchy Wanda: Making Kid Soup, is a middle-grade novel. She is serving as this year’s judge for the middle-grade level of the West Virginia Writers contest.  Her literary work was selected for inclusion on the first official literary map of West Virginia, published by Fairmont State University.


Maggie Anderson is the author of four books of poetry, including Windfall:  New and Selected Poems, A Space Filled with Moving, and Cold Comfort. She has edited several thematic anthologies, including A Gathering of Poets, a collection of poems read at the 20th anniversary commemoration of the shootings at Kent State University in 1970, as well as Learning by Heart: Contemporary American Poetry about School and After the Bell:  Contemporary American Prose about School.  Her awards include two fellowships from the National Endowment for the Arts, fellowships from the Ohio, West Virginia, and Pennsylvania Councils on the Arts, and the Ohioana Library Award for contributions to the literary arts in Ohio.   The founding director of the Wick Poetry Center and of the Wick Poetry Series of the Kent State University Press, Anderson is Professor Emerita of English at Kent State University and lives in Asheville, NC.  Mrs. Anderson is the judge for the Emerging Writers Poetry category of the 2014 WV Writers Writing Contest.


Laura Treacy Bentley is a poet, novelist, and the book editor for WV Living magazine.  Her debut novel THE SILVER TATTOO - a  psychological thriller set in mythical Ireland – was released in 2013.  She also has a poetry collection called LAKE EFFECT.  Her work has been widely published in the United States and Ireland in literary journals such as The New York Quarterly, Art Times, Poetry Ireland Review, Antietam Review, Rosebut, Nightsun, Blink, Ginseng, Wind, The Stinging Fly, Kestrel, ABZ, Crannog, Now & Then, 3x10 plus, Grey Sparrow Journal, and numerous anthologies, including The Southern Poetry Anthology.  She received a Fellowship Award for Literature from the West Virginia Commission on the arts, and her poetry has been featured on the websites of A Prairie Home Companion, Poetry Daily, and O Magazine.  Her poem “The Quiet Zone: Green Bank Observatory” was published on a poster with a photo of the GBT and is available at the observatory’s Galaxy Gift Shop.  She was honored to read her poetry with Ray Bradbury in 2003.  Laura served as writer in residence at the Marshall University Writing Project for three years and taught creative writing during the summer of 2013 at the West Virginia Governor’s School for the Arts at Davis & Elkins College.  Visit her website at www.lauratreacybentley.com.

Daleen Berry is a New York Times best-selling author and the co-author of the The Savage Murder of Skylar Neese, which looks at one of the most shocking crimes of the decade. Berry’s professional writing career began at the Preston County Journal in 1988. Two years later, she received a first-place award for investigative journalism from the West Virginia Press Association and continued her work at the Associated Press, the Dominion Post, the Tracy Press, and the Cumberland Times-News.  Berry has covered serious crime including kidnapping and murder and has reported on the subsequent court and civil trials. Berry’s keen insight into the human psyche, her deep compassion, and her sensitivity have allowed her access to personal stories that were off limits to other reporters. Her Appalachian heritage gives her a sense of discernment about the region’s people that outside writers lack.  With a foreword by Ken Lanning, former FBI special agent and profiler, Berry’s memoir, Sister of Silence, has been used by students and instructors at Johns Hopkins University, UC Berkeley, Towson University, and Oklahoma City University. Broadcast journalist and former NPR Morning Edition host Bob Edwards called Berry a “magnificent storyteller.” Kirkus Reviews said Berry was “an engaging writer, her style fluid, with welcome touches of humor and sustained tension throughout.”  Berry is an experienced public speaker and has appeared at TEDx at Connecticut College, Johns Hopkins University, UC Berkeley, and Penn State University. She has written on the topics of filicide-suicide, domestic violence murders, sexual crimes, and mental illness as a contributor to the Daily Beast, the Huffington Post, and xoJane. In 2001, she founded Samantha's Sanctuary, a 501(c)3 charity to help educate and empower abused women and children.

Daniel Boyd is an acclaimed filmmaker with dozens of films, including Chillers, Strangest Dreams: Invasion of the Space Preachers, and Paradise Park (aka, Heroes of the Heart) to his credit. A media studies professor at West Virginia State University since 1983, Boyd has also taught around the world including in Tanzania as a three-time Fulbright scholar.  Producing nearly every genre of film, Boyd’s television work has earned 3 national Telly awards and 2 regional Emmy nominations. He has recently expanded into graphic novel creation with Chillers – The Graphic Novel  (Transfuzion Publishing), which was the 2012 Shel Dorph nominee for Original Graphic Novel of the Year, and Ghastly nominee for Best Horror Anthology.   Chillers 2 was released in 2013, and CARBON, is scheduled for release in May 2014. Boyd also serves as “Artist and Residence” at WV State University’s Economic Developments Center on Charleston’s west side. www.danielboyd.com


Kambri Crews once lived with her deaf parents in a tin shed in Montgomery, Texas. She now owns and operates Ballyhoo Promotions, a PR and production company in New York City specializing in stand up comedy. She is also the author of the critically acclaimed memoir Burn Down the Ground (Random House) and a renowned storyteller. She has performed on The Moth, Literary Death Match, Risk! and Mortified and has appeared at SXSW Comedy, UCB Theatre, Gotham Comedy Club. Also a public speaker, she has given speeches at the University of Texas, Texas Book Festival, University of Oregon, SXSW (South by Southwest), DeafHope, and many other schools, colleges, book festivals, and events.

Geoffrey C. Fuller is a New York Times best-selling author and the co-author of The Savage Murder of Skylar Neese. Fuller has made a living as a freelance writer-editor for twenty years and in that capacity has written fiction and nonfiction. His work has appeared in newspapers and radio, in literary and commercial magazines, and in anthologies and textbooks and gift books. He has written two award-winning crime thrillers (Not What They Seem and Caught in the Net), one of which appeared in 2011 (pub. as Full Bone Moon, Woodland Press). He also is completing a memoir (On Balance: My First Twenty-Five Years with Multiple Sclerosis) and getting ready to shop it. He prides himself in being able to write in any form for any venue, and has in the past ghostwritten for a number of individuals, some of them high profile. Fuller is also the only person to have been awarded prestigious West Virginia literary fellowships in all three categories: fiction, nonfiction, and memoir.  Today, Fuller edits for publishing houses and individuals, working in every phase from developmental editing to final proofing, depending on the project. He also writes articles for various literary, trade, and popular magazines, as well as literary and genre short stories.  A complete list of the over 50 book titles he edited and the 30+ fiction and nonfiction he has authored is available on request. He studied anthropology and psychophysiology at California State University, Fresno, and University of California at Santa Barbara.

Steve Goff is a comedian, actor and writer who has taught creativity and improv workshops for over twenty years. He has recently developed his Improve With Improv workshops which explore the relationship between creativity, improvisation and self expression. Since May of 2011, over 400 people have taken at least one of these innovative, energizing, creative, and fun improv sessions. Goff is also the coach of the Vintage Theatre Co.'s improv team, Fearless Fools.  Besides the workshops, the acting, and being a comic, Steve is also a freelance writer and consultant for various regional non-profit organizations. Steve lives with his wife, Beth, in Harrison County, WV.


Pam Andrews Hanson, a former reporter and West Virginia University journalism teacher, is the co-author with her mother/writing partner Barbara Andrews of 40 novels including romance, inspirational women’s fiction, and mystery for Harlequin and Guideposts. This spring Guideposts released Chesapeake Antique Mysteries, Forgotten History and Hidden Treasures, a two-book set by the duo. In addition, she and her partner have several indie inspirational romances for Kindle on Amazon. Currently she is working on a new cozy mystery project of her own. Pam, a past recipient of the JUG Award, now resides in Nebraska where she writes fulltime when she’s not procrastinating on Facebook: facebook.com/pamandrewshanson.


Kirk Judd has lived, worked, trout fished and wandered around in West Virginia all of his life. Kirk was a member of the Appalachian Literary League, a founding member and former president (and JUG recipient) of West Virginia Writers, Inc. , and is a founding member of and creative writing instructor for Allegheny Echoes, Inc., dedicated to the support and preservation of WV cultural heritage arts. Author of 3 collections of poetry “Field of Vision” 1986, “Tao-Billy” 1996, and “My People Was Music” 2014, and a co-editor of the widely acclaimed anthology, “Wild, Sweet Notes – 50 Years of West Virginia Poetry 1950 – 1999”, he is widely published.  Kirk was honored to be one of 5 readers selected for the installation ceremony of Louise McNeill Pease as Poet Laureate in 1979 at the WV Cultural Center on the Capitol grounds in Charleston, WV, and currently sits on the board of the Pearl S. Buck Birthplace Foundation headquartered in Hillsboro, WV.  He is internationally known for his performance work combining poetry and old time music, and has performed poetry in Ireland and across West Virginia at fairs, concerts, and festivals for the past 35 years.


Michael Knost. Bram Stoker Award-winner Michael Knost is an author, editor, and columnist of science fiction, fantasy, horror, and supernatural thrillers. He has written many books in various genres, helmed anthologies such as the Legends of the Mountain State series. His Writers Workshop of Horror won the Black Quill and Bram Stoker Awards for superior achievement in nonfiction. Michael is also a finalist for this year’s Bram Stoker Award for Barbers & Beauties, an anthology he co-edited with Nancy Eden Siegel. He edited the critically acclaimed Writers Workshop of Science Fiction & Fantasy in early 2013—a writer’s guide with works by Neil Gaiman, Orson Scott Card, Ursula K. Le Guin, and many others. He has served as ghostwriter for several projects with the Discovery Channel and Lionsgate Media, and he recently released his latest novel Return of the Mothman. To find out more, visit www.MichaelKnost.com.


Joey Madia is a playwright, novelist, teaching artist, director, and actor. He is the Artistic Director/Resident Playwright of Seven Stories Theatre Company, Inc. and Resident Playwright at Youth Stages, LLC. He has appeared in or directed over 80 plays and in a dozen projects on camera. His poetry, essays, and short stories have been widely published and have earned him several awards. His first novel, Jester-Knight, was published in February 2009 (New Mystics Enterprises). His second novel, Minor Confessions of an Angel Falling Upward was published in September 2012 (Burning Bulb Publishing). He is a book and music reviewer and the founding editor of www.newmystics.com, a literary site. Although he has written several main stage musicals and dramas, he specializes in social justice theatre and participatory plays for youth. His 17 plays for young audiences have been produced across the United States and he has two plays in the Dramatic Publishing catalog. He is the author of a series of four books on using theatre in the classroom (The Stage Learning Series, Accompany Publishing, 2007). He has written and performed pieces about Civil War captains Louis Emilio and Thomas Maulsby and is a Chautauqua Scholar for Voices from the Earth, which does symposia and performances on the African American experience in the Civil War.  As a teaching-artist he has taught and mentored thousands of students in both theatre and creative writing and has spoken at many schools and national conferences. He has worked with organizations including The Epilepsy Foundation of NJ and Camp NOVA to bring theatre to students with disabilities and has won three writing awards from Very Special Arts of NJ.


Dave McCormick is first and foremost, an exceptionally talented singer, songwriter, and multi-instrumentalist. A native West Virginian raised in Lincoln County, he began playing drums in the Duval High School Band at the age of 10. By age 12, he was playing guitar and writing songs. Since then, he has mastered guitar, dobro, mandolin, and lapsteel, and  has written over 500 songs in a wide variety of styles. A noted vocalist, his voice ranges from a rich warm baritone to a loud bluesy squall. An extremely versatile musician and entertainer, he is well versed in the genres of country, rock, blues, jazz, r & b, and folk. He is equally at home on stage as an acoustic solo act, or playing screaming electric guitar with his red-hot smokin’ band. An award-winning songwriter, he won the 2006 Mountain Stage New Song Contest and was awarded Best Song for “Where Are You Moses”. In 2008, Dave signed a publishing deal with Sure-Fire Music in Nashville, Tennessee. He has opened for, and shared the stage with many nationally known recording artists. While living in Nashville, Dave had the distinct honor and pleasure of opening for the legendary Merle Haggard on the hallowed ground of the historic Ryman Theater, home of the Grand Ole’ Opry.  He is an accomplished studio musician as well, having played sessions in Nashville and Muscle Shoals, along with countless hours in his home studio.  To date, Dave has recorded three CDs, “Music Man”, “Mountains On The Moon”, and “Ghost Inside My Guitar”. Soulful, eclectic, and well-crafted are terms often used to describe this consummate artist and his work. As a veteran performer, Dave is always seeking to expand his horizons and his fan base!


Renée K. Nicholson lives in Morgantown, WV, splitting her artistic pursuits between writing and dance.  She is on the faculty of the Multidisciplinary Studies Program at West Virginia University and is an American Ballet Theatre certified teacher. Renée was the 2011 Emerging Writer-in-Residence at Penn State-Altoona.  She studied English at Butler University, where she was a University Scholar in Creative Writing and holds an MFA in Creative Writing from West Virginia University, where she won the Rebecca Mason Perry Award for Outstanding MFA Student and the Russ MacDonald Prize for Graduate Writing. She is a member of both the Dance Critics Association and the National Book Critics Circle. She has been Assistant to the Director of the West Virginia Writers’ Workshop since 2007. Her writing has appeared or is forthcoming in Chelsea, Mid-American Review, Perigee: A Journal of the Arts, Paste, Poets & Writers, Crosstimbers, Naugatuck River Review, Honey Land Review, Dossier, Stymie, ABZ, Prime Number, Blue Lyra Review, Switchback, Fiction Writers Review, Moon City Review, Redux, Cleaver Magazine, Barely South Review, Saw Palm, Bluestem, The Superstition Review, The Gettysburg Review and elsewhere. Renée’s collection of poems Roundabout Directions to Lincoln Center is forthcoming from Urban Farmhouse Press. Her website is www.reneenicholson.com.


Marilyn Shank, winner of the 2013 Christy Award for YA, earned her PhD in special education from the University of Kansas, where she majored in learning disabilities and behavior disorders and minored in counseling psychology and families with disabilities. She has taught general and special education at the elementary, secondary, and college levels.   Marilyn’s work has been published in journals, and she coauthored the first four editions of Exceptional Lives: Special Education in Today’s Schools. Child of the Mountains is her first work of fiction. She lives in West Virginia with her three rescued dogs.


David Sloan has a background in neuroscience and molecular biology research, and is currently a project manager for Discern Health, a consulting firm in Baltimore, MD. He published his first novel, [Brackets], in 2012 as an independent work, and is continuously working on novels and short stories in the "technothriller" genre. He won 1st place in the Humor category at the WVW conference in 2012 for his short story "Bunkers".
 

Naomi Frandsen Sloan
received her BA in English from Brigham Young University and her MA in English from Georgetown University. She turned those degrees into (a little bit of) money by teaching on the high school and college level for several years before receiving a promotion to full-time manager, wrangler, governess, cook, and scullery maid to three children and a husband. While in college, she won enough writing contests to bank-roll a semester abroad to London, and she published a chapter in a book of personal essays about family life. Since then, she's appointed herself editor-in-chief to her novelist husband with the hopes that they'll make it big (or at least scrape together enough in royalties to return to England someday).


Natalie Sypolt lives and writes in West Virginia. She received an MFA in fiction from West Virginia University and currently teaches creative writing, literature, and composition. Her work has appeared in Glimmer Train, Switchback, r.kv.r.y., Ardor Literary Magazine, Superstition Review, Paste, Willow Springs Review, and The Kenyon Review Online, among others. Natalie is the winner of the Glimmer Train New Writers Contest and the Betty Gabehart Prize. She also serves as a literary editor for the Anthology of Appalachian Writers, the High School Workshop Coordinator for the West Virginia Writers Workshop at WVU, and is co-host of SummerBooks: A Literary Podcast.


Sandy Tritt is a writer, editor and speaker. The founder and CEO of Inspiration for Writers, Inc., an editing and critiquing service for aspiring writers, she has edited hundreds of manuscripts and ghostwritten several more. She is a past president of West Virginia Writers, Inc., the state’s largest writing organization, and has given workshops throughout the East and South. Sandy’s short stories have been published in literary magazines and local journals. In addition, she has published Everything I Know (Headline Books), Inspiration for Writers Tips and Techniques Workbook, and seven technical manuals (Phoenix Software, Atlanta, GA).


Rhonda Browning White resides near Daytona Beach, FL and works as a ghostwriter and editor for Inspiration For Writers, Inc. Her work has appeared in Steel Toe Review, Ploughshares Writing Lessons, WV Executive, Mountain Echoes: The Best of the First Year, Gambit, Justus Roux, Bluestone Review and in literary anthologies including Appalachia’s Last Stand. Rhonda blogs about the craft of fiction writing at www.WhyTheWritingWorks.com. She has an MFA in Creative Writing from Converse College in Spartanburg, SC, and in her spare time sells real estate and dabbles in investment properties.


Andrew Wheeler received his B.A. in Sociology from Concord College in Athens, WV and his Masters in Forensic Science from The George Washington University, in D.C.  He was a civil and criminal investigator for over a decade before entering academia. He is currently a Visiting Associate Professor of Forensics at WVU Tech. He is a qualified expert in the areas of blood spatter, firearms, and fingerprint techniques.  His research interests include staged crime scenes and the shaping of investigator perceptions.

Patricia Wiles is the SCBWI Assistant Regional Advisor Coordinator and the author of four novels for young readers: My Mom’s a Mortician, Funeral Home Evenings, Early Morning Cemetery, and The Final Farewell. Her essays have aired on public radio and appeared in Writer’s Digest, The Writer, and in the 2001 Writer’s Handbook. She has received several awards from the Kentucky Press Association for her work in print journalism.

WV Writers Conference Workshops

(UPDATED 5/27/14)

The following is a list of the workshop presenters and descriptions of their workshops for West Virginia Writers 2014 Summer Conference.  (You can find registration information at our Conference Page.)



BELINDA ANDERSON
The Wounded Hero and Other Archetypes: Writing Middle-Grade Characters with Depth.  Archetypes don’t have to be stereotypes – on the contrary, they can appeal to the readers’ primal psyche, making your story irresistible. In the archetypal role of Mentor – too bad it doesn’t come with a costume.  Workshop leader Belinda Anderson will explore the archetypes of middle-grade literature, focusing on the Wounded Hero. The wounds can be interior – think of Harry Potter, the orphan. Sometimes the protagonist must cope with exterior wounds – Auggie in the much-acclaimed Wonder. (One agent actually used the phrase “wounded narrators” in describing the books she represents.) The Wounded Hero doesn’t have to be somber – you’ll meet a protagonist who doesn’t let her circumstances stand in the way of her constant wise cracking. Prompts will help participants give depth to their characters. The workshop is designed so that participants can develop a new story, or a manuscript already underway.

Manuscript Checklist.  Workshop leader Belinda Anderson wants you to go forth with your best page forward! She’ll outline and explain a unique manuscript checklist, based on the most frequent problems she sees while critiquing fiction and nonfiction for clients. Presentation is paramount -- it's as important to your manuscript's success as the content. Here’s a chance to learn what’s important, why and how to make the fixes. Questions are welcome.


MAGGIE ANDERSON
Writing Groups of Related Poems.  Using examples from several contemporary poets, we will discuss ways in which one subject or one form can be looked at in different ways to create a set of similar poems.  Attention will be paid to the current poetic fashion of “project books” or “sequences of poem.”  In these books all the poems deal with one subject – e.g., Ellen Bryant Voigt (Kyrie, about the 1918 influenza epidemic); Brian Turner (Here, Bullet, a veteran writes about the Iraq War); Louise Gluck (The Wild Iris, poems in the voice of flowers); Ron Rash (Eureka Mill, about farmers moving from their land to work in the cotton mills of North Carolina); and others.  Ideas for creating sequences will be provided with short writing prompts.

Gathering the Storm: Putting Together a Poetry Manuscript. This workshop will focus on approaches to putting together a poetry manuscript.  Using suggestions from several different poets as well as my own experience as a poetry editor, we will develop a working list of “ways and means” and “do’s and don’ts.”  Workshop participants are invited to bring some of a manuscript of their own to discuss, as well as questions to pose about the process of “gathering the storm” of a pile of poems into a publishable book. 





LAURA TREACY BENTLEY

Writing Your First Novel: The Journey of a Hybrid Writer.  In this interactive workshop, Laura will share her stumbles/strategies/discoveries in creating her first novel The Silver Tattoo from start to finish. Since her work (poetry and fiction) has been traditionally published and, more excitingly, published via Amazon, she has experienced the pros and cons of both worlds. You will explore the nuts and bolts of novel writing, research, arc, pacing, revision, agent acquisition, more revision, the submission process, harsh realities, passion, stubborn persistence, and ultimate joy. Laura will be referring to two classic guidebooks for novelists by screenwriter Robert McKee and novelist Meredith Sue Willis.


DANNY BOYD
Building Blocks (of good stories for screen and graphic novels) – 90 minutes.  This workshop will focus on the basic building blocks used to develop and construct stories for cinema and graphic novels (but really relevant to any storytelling writing). Unlike some writing genres, screen and graphic writing generally demands having an ending before you start, and then building backwards from there. In this workshop Boyd will identify and explore the primary story element, i.e., character, back-story, commitment, opposition, situations (scenes), settings (environment), etc. Similar to the key to successful filmmaking, writing good scripts, "Is all in the pre-pro," says Boyd.  Formatting styles and available writing software will also be discussed, but like most entertainment writing, it’s all about the story.

Graphic Novels.
  Most writers transition from comics to film, but Danny Boyd did the reverse, finding writing graphic novels a faster way to create much bigger stories on significantly smaller budgets. Approaching the graphic novel as "cinema on the page," he will cover the basic components of graphic narrative creation/construction, and present a general overview of this growing medium. Formatting styles and available writing software will also be discussed.


STEVE GOFF
Improv Your Creativity, Improv Your Writing.
  Utilizing the techniques of comedy improvisation, attendees will learn how to jump start and maintain their creativity. Comedy improv requires getting out of your own way, being in the moment, and quieting your inner critic. If you have trouble doing any of these, this workshop will show you how to use the skills of improv to recharge your muse, focus your creative efforts, and challenge that cranky critic. We will discuss such improv concepts as "start anywhere", "take risks", "be spontaneous", "be brave", and "trust your instincts". We will cover the "rules" of improv comedy and illustrate how to incorporate this instruction into your creative process and make it part of your daily life. Through a variety of fun and interactive exercises and improv games, we will explore the world of improvisation and discover what it has to offer you and your creativity. Laugh and learn. Watch for when the "ha-ha" becomes "A-ha!".  Regardless of what you write, this workshop will provide you with tools to help you keep your creativity flowing.

*Wear comfortable shoes as the workshop involves several games and exercises that involve moving around and being active.  

 
PAM HANSON

Writing for the Inspirational Market.  The market for inspirational stories is bigger than ever and growing. This workshop will explain the kinds of inspirational markets that exist and what they’re looking to buy, along with where to sell your inspirational fiction and non-fiction.

How to Write a Romance Novel.
  This session will guide you through the steps of plotting, writing, marketing, and selling your romance novel. Tips will also be offered on all the new romance publishing opportunities available to writers.


KIRK JUDD 
Spoken Word Spoken Here.  An approach to creating poetry for the sound of it, understanding the premise that poetry is a spoken word art.  Interactive tips and techniques for writing poetry from an acoustic perspective.

Journey To The Center Of Your Mind.  Imaginative and engaging participatory group exercises leading into individual interpretations and descriptions of personal journeys.  Where did you come from?  Where did you go?


MICHAEL KNOST
Flashbacks and Backstory.  Flashbacks offer many pitfalls. This is because even the best-written flashback carries a built-in disadvantage: It is, by definition, already over. The scene you are detailing in your flashback isn't happening in story time. It happened sometime earlier, and so we are being given old information. And like old bread, old information is never as fresh or as tasty as new bread. Let’s learn when to use a flashback, what its purpose is, and how to get into and out of one. Then we’ll learn the natural progression of backstory.

Outlining Your Novel.  There are two kinds of writers: outliners and seat-of-the-pantsers. Most writers begin as a pantser and then migrate toward outlining as they get more interested in getting organized. Let’s learn all the aspects of outlining so the process will work for you and your personal tastes. Let’s find what an outline is, how it works, what to include in it and when, and how to turn it into a tool rather than a crutch. When we learn the outline is helping us organize the story, we’ll find the process more rewarding and result thorough.


JOEY MADIA

Creating strong characters to tell your story. (a subset of his broader workshops on playwriting)

Selecting and reading your work. In this workshop, Joey will put his skills as an acting teacher to work. You will learn how to read your work with a presentational mind.

The art of the knights and dragons style fantasy genre.
Research, characterization, and bring your own voice and ideas to a well-traveled genre.


KAMBRI CREWS
Non-Fiction Book Proposal.  Non-fiction books (anything from memoir, pop culture, true crime and self-help) are sold to publishers on the basis of a proposal which is a 20-50 page document pitching the book’s content and marketability and is supplemented by sample chapters. You write the proposal before you actually write the book.  The workshop will cover these parts of a proposal: overview (the basic idea), market (who will buy), competition (similar books), platform and promotion (how it will sell), author (about you), table of contents, chapter summaries and sample chapters.

Publicity & Marketing: Sell Y.  To sell a book to a publisher and to sell copies of your book to readers, you have to be able to promote it! Whether you self-publish or have a publisher, you must toot your own horn loudly and often. This workshop will give several dozen very practical, easy to follow tips and ideas ranging from how to write a press release, who to contact at media outlets and how to build a "platform".


DAVE McCORMICK
Songwriting. What inspires a song and what comes after the inspiration?  In this workshop, learn how to structure a song.  Dave will demonstrate examples of song structure followed by Q&A.

Creative writing. Learn the basics of creative writing from gathering ideas to drafting the story.


RENEE NICHOLSON
From Your Page to Their Page: Publishing Your Poems.
  In this workshop, learn how to research publications, prepare your work to send out, manage your submission process, and much more. Understand more about literary journals, and how they work, book opportunities, and other ways to get your poetry out into the world.

Break Dance: Discover How Line Break Works (or Doesn’t) in Your Poems. 
Many poets, of all skill levels, find line break among the toughest aspects of writing poems. And yet the perfect line break can make your poem come alive in surprising and important ways. “The line, in poetry, has been called a ‘unit of attention’.” (Kim Addonizio)  Meaning is not only in the words—the meaning of individual words and also their sounds—but meaning in the shape of a line, a shape that is inherent in a poem, if we pay attention. Learn how to break for meaning, music, and more.



MARILYN SHANK
Kids, Tweens, and Teens: Developmental Stages.  Writers for young people need to know characteristics of developmental stages. How does motivation, view of adults, needs, and understanding of the world around them change from childhood to adolescence? In a writing exercise, participants will recall a significant event at two different ages and explore how developmental stages apply to their memories.

Coping with Grief and Trauma: It’s Not the Same for Children and Adolescents.
Many picture books, chapter books, and novels address issues of grief and trauma in the life of the protagonist. Participants will learn how children and teens view and deal with grief and trauma differently than adults. A writing exercise will provide an opportunity for participants to recall an experience of grief or loss as a child or teen.


DAVID SLOAN
How to Deal with Complexity in Plots.
  Creating intricate plots with multiple story lines, multiple characters and multiple layers can be very challenging, and can quickly muddle up a story to the point where it becomes too difficult to follow. In this workshop/class, we will discuss ways to approach creating a rich, complex plot without overburdening a reader. Examples from recent movies and books will demonstrate what to do/not do, and several short writing exercises will be used to address this specific problem. Dr. Sloan will utilize his personal writing experience and his professional background as a scientist and analyst to discuss fun, engaging approaches to complex plot formation. We will also talk briefly about how to talk to others about your complex book in a way that will make them want to read it.

How to Write with a Significant Other (and Survive)   Writing as a couple, or in a partnership, can be as fun and rewarding as it can be stressful and contentious. David (an analyst and novelist) and Naomi (a former English teacher) will use their unique personal experience working on a novel together to illustrate what did and did not work, and will suggest ways to use writing to strengthen, not stress, a relationship. Participants need not come as a couple, but we will include partnering writing exercises as part of the class.


NAOMI SLOAN
Memoir and Imagination: Creative Non-fiction from Blog Posts to Personal Essays. 
The story you know best--and the story you can write the most powerfully--is your own. As a genre, the personal essay finds its potency by tapping into emotions that are universal with experiences that are deeply individual. This workshop will help you use your full palette of writing skills--characterization, setting, pacing, dialogue, theme, figurative language--to paint your personal stories in shades of humor, poignancy, irony, and ultimately truth. This workshop is not about how to neatly wrap up life's difficult experiences in five paragraphs or fewer. Rather, it's about how to claim the uniquely embarrassing, perplexing, inconsistent, and hilarious parts of our lives in order to give each other wonderful stories. Whether your chosen medium is blogging, journaling, family letters, or the personal essay, as you write about your life in new ways, you will see your life through new eyes. 


NATALIE SYPOLT
It’s Not Your Grandpa’s Mountain Story: What is Today’s Appalachian Literature?
  In this session we will explore Appalachian writing and how the genre has evolved, while still staying true to traditional roots and themes. What makes a story “Appalachian?” Are the expectations changing? What are the traditional themes of Appalachian writing and how do contemporary books, such as Crapalachia by Scott McClanahan, fit in? I will speak from my experience as an editor of the Appalachian Anthology of Writers. I hope this session will be an open discussion and sharing of ideas, as well as favorite authors and titles.

Whose Story is it?: Exploring Perspective and Narrative Distance in Fiction
. In this session we will explore the idea of perspective and narrative distance in fiction.  Every writer knows how important Point of View, but even once the POV has been chosen, the work is not done. Sometimes the most obvious character is not the one to tell the story. Exploring multiple perspectives can be very beneficial and eye-opening, even if the experiment never shows up in a final draft. We’ll also look at the technique of using multiple perspectives in a novel or (more rarely) a short story.


SANDY TRITT
Writing the Story Only You Can Tell (Memoir).
  This workshop hopes to answer the zillions of questions you have when writing your memoir. Should you use real names? Should you fictionalize your story? Should you use first person or third person? Where do you begin your story? Where do you end? When should you file for a copyright? Can you get sued for saying bad things about other people? What about good things? And what, exactly, should be included, and how do you know which life experiences belong and which ones don’t? Be sure to bring your own questions as well.

Pass the Tissues. 
This workshop discusses character emotion and how to control it. We will dissect examples in published works to find out exactly how a writer can manipulate a character’s emotion to create an equal reaction in the reader. This workshop also discusses how climatic points within a manuscript must be detailed so that no character emotion is missed—yet, the way those details are presented decide if the emotion is melodramatic or if it hits the reader deep in the gut. This workshop is appropriate for writers of all levels.

 
RHONDA BROWNING WHITE
Short Stories: She May be Little, but She’s Tough.
  Why is it that a story that appears short and sweet is so often difficult to craft? Discover the liberations and limitations of short fiction that is often a breakthrough to publication. Intermediate skill level.

Cut It, Cut It, Cut It! Self-Editing for Writers.
  Take your writing from Blah to Hurrah! by following these simple steps that can help you transform tired, overworked prose to a tight and polished manuscript you’ll be proud to submit for publication. All skill levels.

Beginnings and Endings: Hit ‘Em Coming and Going. 
From the first paragraph to the last sentence, it is a writer’s job to engage, enthrall and entertain the reader. Learn how to create tension in a story and keep it through the last breathless page. All skill levels.


ANDREW WHEELER

False memories/confessions created by erroneous forensic analysis.  Memories are constructed. Memories don't exist until they are called upon and are built on the fly around an existing belief framework. Change the underlying belief framework and you can change ones memories. In this workshop we will discuss how claims made by forensic scientists impact how individuals recall events.

Crime Scene Reconstruction and the Investigative Process. Imagine trying to solve a puzzle in which the pieces were constantly changing shape. Crime scene reconstructionists work in this world on a regular basis. In this workshop we will discuss the cycle of divergent and convergent thinking used by at least one investigator in his efforts to reconstruct an incident. We will also look at the intellectualization of the process as a defense mechanism to deal with the stress of possibly being wrong.

Trial Review: A WV murder trial in review.  In 2014, Professor Wheeler testified in a WV murder trial after 9 months of preparation. Using this trial as a case study, explore the justice system from the eyes of the expert witness. Is the court room where scientific reasoning is bludgeoned by the power of rhetoric?


PATRICIA WILES
Awaken the Child Within. 
Learn how to use past memories to create scenes.  Patricia Wiles will lead exercises to help us recall scenes and emotions from childhood that we can use to enrich our stories.

Children's Writer's Journey.
  This workshop will cover the basics of writing for children, presented in an outline similar to the hero's journey. Great for beginning writers.


PODCASTING PANEL 

Natalie Sypolt, Renee Nicholson and Eric Fritzius.  Discussion on how technology has been incorporated into writing. Join us to discuss information about building and maintaining a web presence, the use of social media, podcasting (audio and visual), and self-publishing electronically.

Tuesday, April 01, 2014

WV Writers Writing Contest now closed (not an April Fools joke)

The WV Writers 2014 Annual Writing Competition is NOW closed for submissions. 

Entries will be sent to the contest judges shortly. 

Winners will be announced at the 2014 WV Writers Summer Conference, June 13, 14 and 15 at Cedar Lakes Conference Center in Ripley.  Our awards banquet will be on the evening of June 14. 

Monday, March 31, 2014

FINAL DAY-- WV Writers Contest Reminder Checklist

Today, Monday, March 31, is the FINAL deadline for submissions for the 2014 WV Writers Annual Writing Contest to be mailed.  Anything postmarked after March 31 will not be eligible for our contest, so it's important that you get your entries in the mail today.  

That said...  if you're not able to get to the post office before they close today, here's a time-tested method for getting your entries postmarked by 3/31/14 anyway...

Assemble your entries before midnight tonight, 3/31/14, put them all in their envelope and weigh them using a kitchen scale, then use that weight to purchase and print a Priority Mail label on USPS.com. (Or use Stamps.com, if you have that.) It will have the post mark of 3/31 printed on it and then you can mail it out tomorrow with no problem.  However, don't take a long time about mailing it, cause our contest coordinator (me) is sending all the entries to the judges by next Monday, April 7, so if your entry isn't here by then, you'll be out of luck.



To help things run smoothly for both entrants and our contest coordinator (me) here's a handy checklist that you should go over before sending in your entries.


CHECKLIST:

1)  Have you read the contest rules to make sure you're complying with them? 
Even if you've entered a dozen times before, please do read the rules again because errors happen.  Please pay special attention to the CONTEST GUIDELINES section, which a number of entrants have apparently skipped over already.

2)  Is your contest category and the word count for your entry printed in the top right corner of your entry? (See Checklist #1)  The word count means the actual number of words in your entry.  Your word processing program will be able to tell you this.  Please do not estimate.  For Book Length Prose, this means the word count of your submitted excerpt, not of the overall novel.

3) Have you filled out your entry form correctly?  I've received several entry forms this year in which no contest categories have been marked.  This is fine if there's only one entry and the entrant has put their category on the entry (see Checklist #1 and #2), but when there are multiple prose entries and they've not been indicated on the entries themselves, they could potentially be intended for short story, nonfiction, Appalachian, humor, emerging writers prose, Pearl S. Buck, or children's book and I have no easy way to know.

4)  Have you made absolutely certain your name is NOT printed on your actual story or poem? 
The ONLY place your name should appear is on your contest entry form.  UPDATED 3/17/2014:  So far this year, only TWO people have left their names on their entries.  If you find out you've left yours on, don't sweat it.  I can blank out the name with correction tape and then photocopy that page to replace the original.  However, this takes both time and correction tape and I have a limited supply of those.

5)  Have you double-checked to make sure you included ALL of your entries in your envelope? 
In the past, I've received a couple of entry envelopes that are a story or poem short of the intended amount.  (In fact, last year I received an envelope that only had an entry form and no submission at all.)  I always try to contact the people to make sure of their intentions, and have been known to print missed entries here.  But the more careful you are in submitting the easier it is on me here.  Which brings me to...

6)  Have you included accurate contact information for yourself? 
Every year people send entries in that require followup to correct an error or two.  And every year many of those emails sent bounce back because they are incorrectly written on the form.  (And, sometimes, handwriting interpretation on my part may be at fault.)  Please legibly print your email address and make sure it's correct, along with your other contact information.  

7)  Have you addressed your envelope full of entries with the correct address of our contest coordinator?
  Last year I received more than one entry forwarded to me from Patsy Pittman, who was our contest coordinator for many years, but has not been since 2008.  Please use the correct entry form with the correct address for 2014, which is available at our website and in our newsletter.

8)  Have you included the additional $2 per entry late fee for having mailed entries after March 15?  (Or $1 for New Mountain Voices Student Contest entrants.)

If you have questions feel free to send them to me at wvwcontest@gmail.com.  Do know, though, that many of the answers to questions I have received about the contest are found at our Frequently Asked Questions list.